Nolan and Murphy show how Oppenheimer shrinks and cringes into the couch in front of him, like a scared little boy, apparently wanting something like absolution from the president and mumbling that he feels he has “blood on his hands”. Perhaps the film’s most important moment is the one that addresses its own flaw: the legendary postwar encounter in the White House Oval Office between Oppenheimer and President Harry S Truman (played by Gary Oldman), the man who took the final executive decision to drop the bomb. Of course, Oppenheimer did not witness the actual use of his weapon, he never saw anything becoming death, the destroyer of worlds, and Nolan takes the decision to look away from it too, to stay in the US, to stay with Oppenheimer himself in all his sudden tragic irrelevance. He knows it is his duty as a leader to congratulate them and be upbeat, stammering out some fatuous remark about how the Japanese “didn’t like it”, then realising how callous that was, and beginning to hallucinate the horror. After the successful detonation of the Hiroshima bomb, Murphy shows us Oppenheimer in shock, but also realising he has to address an audience of cheering colleagues and subordinates. ![]() The purest payload of fear is delivered in a scene that Nolan handles with forthright gusto. Tom Conti plays the sorrowfully detached Albert Einstein, and it has to be said that Nolan, rightly or wrongly, uses non-Jewish actors for Oppenheimer and Einstein, two of the most famous Jewish people in history and in fact doesn’t quite get to grips with the antisemitism that Oppenheimer faced as an assimilated secular American Jew. ![]() Matt Damon is the boorish Lt Gen Leslie Groves, Oppenheimer’s exasperated military minder Kenneth Branagh is his genial scientific hero and mentor Niels Bohr Robert Downey Jr is the duplicitous Atomic Energy Commission chairman Lewis Strauss Florence Pugh plays his lover Jean Tatlock, whose heart he broke, while Emily Blunt is his wife, Kitty, also badly treated. It turns out that Vincent is a hitman, and he needs Foxx’s character to drive him on a killing spree in this tense, gorgeously-shot thriller from the masterful craftsman Michael Mann.Later in the 50s, there is the disillusioned, compromised administrator, hounded by the McCarthyites for his communist connections, nauseated by his own pointless celebrity, by his failure to establish postwar international atomic control and by a single denied thought: the Nazis surrendered long before there was any suggestion they had the weapon, and bombing the defeated Japanese at Hiroshima and Nagasaki was merely to cow the Russians with a ruthless demonstration of the US’s nuclear mastery.Ĭillian Murphy is an eerily close lookalike for Oppenheimer with his trademark hat and pipe, and is very good at capturing his sense of solitude and emotional imprisonment, giving us the Oppenheimer million-yard stare, eyeballs set in a gaunt skull, seeing and foreseeing things he cannot process. Tom Cruise gives one of his most fascinating performances as Vincent, the passenger to Jamie Foxx’s L.A. These are films that came from outside the Netflix pipeline to subscribers, and it will be regularly updated as flicks come and go from the Netflix catalog, starting with our pick of the week. With hundreds of films from around the world on the streaming giant that changed the game, how does one even know where to start when they’re looking for something to watch? Start here! We have gone through the massive catalog of films available on Netflix and pared down the selection to an essential 30 titles, including action films, comedies, horror flicks, and even stuff for the whole family, with Netflix Originals peppered in throughout, alongside its licensed films. ![]() *New additions are indicated with an asterisk. This post is updated regularly as movies leave and enter Netflix.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |